ANSELM BERRIGAN: AN AMERICAN ROCKSTAR

September 30, 2009

    

     Years ago my now-journalist friend Anthony Crupi (MediaWeek.com) used to have this joke about Robert Frost and Jim Morrison about the shirtless, crucifixion-esque Morrison poster that read, An American Poet, saying “That’s like having a poster of Frost in a turtleneck and saying Robert Frost: American Rockstar.” Anselm Berrigan truly is an American poet, and in my humble esteem, a should-be American Rockstar (he’s got that much indie punk-heart spirit.) I can’t begin to describe both the shock and the elation of walking into Syracuse University’s Bookstore and having Chris Hirsh, the friend who introduced me to Anselm Berrigan, hold up a magazine, Poets & Writers, with a picture of Anselm on the cover. Good stuff, to be certain. Anselm, so the profile says, is set to release his fourth collection of poems, entitled Free Cell. I was a huge fan of ZERO STAR HOTEL, and in point of fact have an autographed copy from the man himself. California Life-Section has long been my favorite poem of Anselm’s:

LIFE SECTION – MARCH 1994

Plagiarism is in, Ranting & Raving is out

Drinking alone is in, Marijuana etiquette is out

Misunderstanding is in, Cynicism is out

Fingering your asshole is in, all other forms of masturbation are out

Defoe is in but Fielding is out

Words are in but Language is out

My Mother is in & your Mother is out

At 9AM I’ll be in, then I’ll be out until about 6:30

Darth Vader is in, Yoda is out

Fake Interviews are in, Doctored Photographs are out

Luxembourg is in, Amsterdam is out

Swearing is in but obscenity is out, so, for example:

“Jesus Fucking Christ” is in “Holy Fucking Shit” is out”

Being out to lunch is in, being in it for the long haul is out

Knobby knees are in, as are clubbed feet

The starving artist is out, but taking what they’re giving cause you’re working for a living is in

At its beginning this poem was in, now, conveniently, its gone out

Anselm, son of New york school legend poet and friend to the Beats, Ted Berrigan, whose Sonnets were one of the great works of the 60’s era, has already been anthologized by Robert Creeley. In 2003, an excerpt of his book-length poem ZERO STAR HOTEL appeared in Best American Poetry. In-person, Anselm is charming and oftentimes quiet, ruminative, and singularly highbrow-lowbrow in his distinct brand of humor. When reading his delightful poems, Anselm often makes himself laugh.

     A funny Anselm anecdote is that when friend Jody LoCascio was in Paris at the same Christmastime as Anselm (who was visiting mother and widow to Ted, the acclaimed poet Alice Notley, coincidentally with Jody’s then- employer Frank Gifford (of the Frank and Kathie Lee Gifford Show), Jody made the introduction outside the Eiffel Tower of two “you couldn’t get further apart in life-sensibility” gentlemen, introducing Anselm to Frank Gifford, who apparently offered Anselm $50 bucks on the spot to replace his well-loved/hole-worn White Chuck Taylor All-Stars, the footwear of all Great Poetic Royalty. Anselm, the tale goes, politely declined.

Anselm Berrigan on the cover of this month’s Poets & Writers magazine:

http://www.pw.org/content/septemberoctober_2009


TRUE FAITH- Raphael Lyon

September 22, 2009

mudboygallery

Raphael Lyon Believes In Magic—Do You?

Raphael Lyon, a Providence, RI-based installation artist showed his unique, lovely work at Red House Gallery in Syracuse, NY on September, 19 and 20th this past weekend. Lyon works with LED lights to create multi-colored images on walls he calls fractiles and algorithims upon white wallspace, creating arresting abstract images which are highly evocative and suggestive at the same time. Lyon told me he believes in magic and wonder and his work bears this out, calling us all to that child-like wonder. Immediately engaging and challenging in a fun-spirited way, Lyon’s work is truly something ‘light’ and beautiful to behold.

RED HOUSE GALLERY
http://theredhouse.org/programs/
On display until the end of October

http://www.myspace.com/ilikedtheoldinternetbetter
MUDBOY on Myspace.com
http://www.freematterfortheblind.com/Mudboyalbumns.html


THE CHURCH Live Buffalo, NY (The Tralf, July 2009)

September 15, 2009

403px-Steve_KilbeyThe  Church was note-perfect. You Took killed, Peter Koppes once-again earning his daily bread as the classiest, most understated lead guitarist of the last 30 years or so.  They did it all. They traded instruments. They had some funky-ass synth in the mix. Willson-Piper was channeling from some ether-realm, at times looking unhinged, seer-esque. SGT PEPPER ain’t got nothing on So Love May Find Us, the 20-minute epic from Untitled #23’s attending ep. Koppes lays in with a Beatles-esque beauty of simplicity. Then Willson-Piper alley oops with “Insanity”, one of the funnier uptempo jams fair Church have yet produced. Need five more of em (Church eps from these sessions I mean.) The production-value is retarded—-higher than Rick Rubin’s on Death Magnetic (Metallica.) They ruined me again last night. It’s an half-hour investment, and on work nights, the record calls to you. The cover haunts you (signed by Kilbey, To Evan Love Steve) and you wonder, as Grohl rightly did, “Can anything ever really be this good again?”


Boomtown

September 12, 2009

David & David, Welcome to the Boomtown

Why is this song so fucking good? I have to ask myself every single time I hear it or

seek it out and crank it (usually about once a year.) David & David had another one

quite this good, but no matter as it’s truly that rare jewel of creativity and magic.

Fantastic guitar tones, great soaring melody and vocal delivery, this song just kills

it when you’re in the right headspace for it. David Baerwald brings the pain

with these spot-on lyrics early in the song, setting the unsettling tone:

Handsome Kevin got a little off track

Took a year off from college & he never went back

Now he smokes much too much, got a permanent hack

Deals dope out of Denny’s, keeps a table in the back

He always listens to the ground

Always listens to the ground

Brilliant. So evocative of a certain time in the Reaganite 80’s,

a portrait of the American Dream gone terribly wrong. The video

for this song must be set in Los Angeles because it’s got lots of

palm trees in it, a la Randy Newman’s I Love LA, which is

completely opposite in feel and tone and just hilarious—I highly

encourage watching them back to back on YouTube as I just did thanks

be to the encouragement of stuckwiththeduck.com. I must say, what

was with songwriters constant referencing of cocaine in their songs

all throughout the eighties? I guess I must’ve missed a fun time on

$150 eight-balls of devil’s dandruff and peeking through the blinds

because it seems like most of the people I know in California now

were cocaine enthusiasts at one time or another in their lives. But

rest assured, I caused my fair share of trouble in those days, just ask

around. (The only other song that mentions cocaine as satisfactorily

is that suck-truck band Buckcherry with what an ex-friend characterized

as the best chours of all-time with the chant of I love the cocaine/I love

the cocaine…)

You can have it, we’ve got plenty to go around croon-sings Baerwald

with a snide, hard-won knowledge of been there/done that and won’t

get fooled again. Yes sir. City living hasn’t been so beautifully

rendered since unless we’re talking about Elevate Me Later, a great

Pavement  jam from the unequivocally groovee Crooked Rain, Crooked Rain.

Yes Boomtown is a true-blue bonafide classic, definitely a

must-have mp3/cd in any self-respecting rock aficianado’s collection.


Don’t Fuck Me Up With Peace & LOVE

September 12, 2009

Now here I am, the youngest old man in the world
And I have come to bring you my burden
Of every sleepless night without you in my arms
Of being bored and calm and sometimes sober

Don’t mess me up by being kind
Don’t mess me up by being wise

Now here I am, I am the angel of Earth
And I have come to bring you my burden
Now here I am, I am the game warden of love
’til someone took away my gin and tonic

Don’t mess me up I’m on a roll
Keep being wise, I’ll be inspired

Don’t fuck me up with peace and love when I haven’t got it in me 
Don’t fuck me up with peace and love when I haven’t got it in me 
I haven’t got it in me
I haven’t got it in me,

Anymore 

Don’t fuck me up with peace and love
Don’t fuck me up with peace and love
Don’t fuck me up with peace and love
Don’t fuck me up with peace and love

Don’t fuck me up with peace and love (no don’t fuck me)
Don’t fuck me up with peace and love (no don’t fuck me)
Don’t fuck me up with peace and love (no don’t fuck me)
Don’t fuck me up with peace and love (no don’t fuck me)

-Cracker


Shiny Toy Guns: Carah ComeBack!

March 4, 2009

Shiny Toy Guns are unstoppable! Saw them rock a private party for NBCChicago.com. What an amazing show/spectacle of light and sound these guys (and a girl, the gifted vocalist/chanteuse Sisely Treasure) put on. It is painfully obvious this band is going to get a whole lot bigger over the next year or two. Season of Poison is a masterpiece, and the new song they played was compelling in a somewhat new direction for them. When songs like Le Disko get in your head, they’re there to stay for weeks at a time (you have been forewarned, gothic alternapunk lovers.) The interplay between excellent singer Chad Petree and Sisely is truly something to behold: darkly sexual and captivating at once.800px-sisely_treasure_at_folsom_street_fair_2008

The secret tasty tidbit I was able to glean from a source close to the band is that Carah Faye is likely to return to the Shiny Toy fold before too long. You read it/heard it here first!

Show highlights:
Le Disko (slayed it!)
Ghost Town
You are The One

i-owe-you-a-love-song

SHINY TOY GUNS MYSPACE PAGE


The Pains of Being Pure of Heart

February 14, 2009

The Pains of Being Pure At Heart

The Pains of Being Pure At Heart Exclusive interview with Evan Chase

The Pains of Being Pure At Heart are really, really great. Groove is in their indie shoegaze-y art, to be certain. I had the chance to sit down with Peggy, Kip and Alex at Schubas in Chicago two nights ago during their 9-city US tour and found them to be much like their music: earnest, articulate, and right-on indie-minded people.

Here’s what they had to say about their rave Pitchforkmedia.com review, the joys of creativity, where they got their amazing band name and new 7″, Kurt Cobain’s Cardigan.

On The Pitchforkmedia.com review http://www.pitchforkmedia.com/article/record_review/148850-the-pains-of-being-pure-at-heart-the-pains-of-being-pure-at-heart

Kip: It was a wonderful thing. I think the things that still matter in the Internet Age, touring and playing for people and putting on a good show—all the things that seem 100% oldschool. I think that’s a good thing; it makes bands work for their dinner. You have to earn people’s acceptance— it’s not just handed to you.

Peggy: It’s cool to receive accolades from the indie community. I think a lot of people heard us for the first time after reading the Pitchfork review.

Where The Pains of Being Pure of Heart Name Came From

Kip: A friend wrote a children’s story called The Pains of Being Pure At Heart and its moral, as all children’s stories have morals, that the time you spend when you’re young traveling with friends and the friendships that you forge at that time of your life are really to be valued and celebrated. It’s a nice way of thinking about our band—we’re all friends and young and we have these adventures getting to go places and play music together. It’s a pretty fitting name. The phrase feels really right.

Artistic intentions/Comparisons to My Bloody Valentine and The Smiths

Kip: It’s always flattering when people draw comparisons to our music to such incredible artists as Morrissey or My Bloody Valentine, but our music is more about us and a natural outgrowth of who we are as people and who we are when we plug in our instruments and play that’s us. We have a huge respect for a huge canon of music through the past, but we’re pretty happy being The Pains of Being Pure At Heart. If people want to draw comparisons to bands that are a lot better than us, that’s fine, but we’re happy to be our own world.

On The Pains of Being Pure At Heart cd

Kip: We wanted to capture that and document that so these songs lived in a permanent way. To have that final product sound like and not be something we’re not. It was a very natural-sounding record.

The Pains of Composition

Alex: Kip writes the songs and brings them to everyone.

Kip: Behind every great writer is a great editor. I think creativity is over-valued in our society. Being creative is a wonderful thing, but being able to pick-and-choose is really important. If it was just me there’d probably be thirty songs on the album and twenty wouldn’t be that good. (laughs)

Peggy: We also get a lot of ideas from just hanging out. Inside jokes and stuff. Like Kurt Cobain’s Cardigan.

Inspiration for Kurt Cobain’s Cardigan 7” single

Kip: All of our experiences and our friends’ experiences, they’re (the songs) very much about our collective experiences, shared experiences. The title’s almost a reference to what the song sounds like. The song sounds a lot like the Vaselines. My introduction to The Vaselines was through Nirvana’s covering of them and Kurt Cobain’s championing of these smaller indie-pop bands that would’ve never gotten mainstream of any attention in the U.S. He took the time to use his celebrity to further other bands and offer listenership. The song isn’t about Kurt ,but the song wouldn’t have existed were it not for Kurt Cobain.

the-pains-of-being-pure-at-heart_07_everything-with-you

The Pains of Being Pure At Heart Myspace page: http://www.myspace.com/thepainsofbeingpureatheart


THE NEW MARY JANE!

January 24, 2009

realbucflyerThe New Mary Jane Dave Shouse and Scott Taylor, formerly of the mighty Grifters, have their new thing going off called The New Mary Jane (see Beatles if you don’t get the reference.) Groovy, more guitar-driven than say Those Bastard Souls, Shouse’s previous solo, and then later, band incarnation. What it sounds like Hail The Young Girls is a spacey, heavy, drum n’ guitar thang. Shouse still channels Bowie gracefully. Guitars and bass and synth effects still collide and reign supreme thankfully. The Chinese government prides itself On delivering a clear blue sky for the holidays Great new stuff form two of the greats in the indie world everyone with any sense of taste was dying to see play together again. Be ready to run right out when The New Mary Jane cd drops and if you’re lucky enough to see them play live, prepare to be blown away. Years ago my brother’s friends and I traveled three hours in the snow in Upstate New York to see The Grifters play. Joan as Police Woman’s lovely Joan Wasser was in attendance, and when the Grifters laid into Bummer from One Sock Missing (Shangri-la Records) she and we couldn’t help from bopping our Heads to a sound coming through the stacks unlike anything we’d ever heard before. Again, prepare to be blown away. Link to three mp3s at The New Mary Jane Myspace: http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendID=373565214


New Church Album

January 22, 2009

Wherein Steve Kilbey spills the beans on the Church’s follow-up to 2006’s masterful Uninvited Like The Clouds:

sknew church album(straight from the panthers mouth)

been listening to new church album
we gonna try n do some final fixes and stuff
it should all be finished soonish
can reveal names of songs
not necessarily in this order
hope the other churchmen dont mind me spilling the beans
(fuck em if they cant take a joke!)
COBALT BLUEPRINT
this will be the opener for sure
weird chord progression
claustrophobic mood
loads of beautiful guitar solos
sample lyric:
motel bar the dirty sulky moon
turn my head up
let it all cocoon
**************
DEADMANS HAND
i play a downwards guitar thing
marty plays a complicated up n down bass
tim weighs in at end with george harrison guitar solo
one of my faves anyway
sample lyric :
dealing out love n retribution
dealing out the deadmans hand
**************************
OPERETTA
probably the closer of the album
i play piano
marty on bass
pete on string guitar
frankie k on whimsical 12 string
this is like a mini song cycle
i think this is a fucking cracker!
you gonna love it or else
sample lyric:
in summer time
picking up an insistent distant beat
beach comber come home now
come in from the heat
*****************************
PANGAEA
beatley melodic mellotrons
if there was a single
this would be it i suppose
sample lyric :
pangaea uh uh alright
pangaea uh ah together

this ones easy to love!
*************************
HAPPENSTANCE
i dunno …pastoral or something
then marty starts singing too
and things become darker
like im in day
and hes in night
lots of weird noises on there
some lovely fuckedup guitar sounds
but still its very melodic
sample lyric:
marty : close your eyes in the dark
theyve opened up a door
you feel the energy arc…
me : when the honeyed days of love return
and the king is drunk upon his throne
****************************************
SUNKEN SUN
a shorter strange little song
female mellotron vox
me doing a santana lead at the end (he hopes!)
sample lyric :
i ripped up my return ticket
n hurled it into the sky
i kneeled down n i kissed the ground
i knew then it was your turn to fly
***********************************
SPACE SAVIOUR
ok this one rocks
its rocks raggedly n stumbling along
i play guitar
marty plays drums
i dunno
its got piano n organ n stuff too
it really doth rock, childe
sample lyric:
oh my little panda
i dont understand her
with her natural grandeur
and i cant let it go….
**************************
ANCHORAGE
a cold and nasty song
about some ambiguous ‘orrible goings on
i play discordant guitar
peter on twin basses
cello too
icy!
sample lyric :
down at the docks
i was shocked not to be discovered..
*********************************
LUNAR
downright weird dark little song
that changes all over the place
until before yer very eyes it turns into
a brief anthemic doo dah
indescribable!
sample lyric:
all that it was was a cannibal buzz
leading you on day on day
************************************
ON ANGEL STREET
i play organ
frankie on bass
marty on disturbed guitar
a sad sad song
sample lyric:
i saw your brother during lunch
i knew at once that he was mad
he had
been standing in the rain
to catch some snow
*******************************

overall this is a pretty impressive record
a different atmosphere from ultc by a long shot
there will also be an e.p.
featuring
pangaea
so love may find us(the epic)
l.l.c. pk singing
insanity mwp singing

stay tuned

Original post at THE TIME BEING, Kilbey’s bloggy:

http://stevekilbey.blogspot.com/2009/01/new-church-albumstraight-from-panthers.html


Touching From A Distance, The Story of Ian Curtis by Deborah Curtis

January 12, 2009

Touching From A Distance is a tremendous gift to Joy Division fans and anyone else who might care about the star-making machine and its human toll. 

This book is captivating as all hell, a peek behind the veil into who Ian Curtis was in his homelife, in addition to being just the guy who wrote Unknown Pleasures. After all, Deborah Curtis has an innate understanding of the man as she saw the madness closest-at-hand.images-1

The early chapters concern, inevitably, the formative years of Ian and his future bandmates in New Order and Joy Division, respectively to their later larger fame. Ian was obsessed, as so many young men of that era, with Iggy and Bowie. Ms. Curtis does a fantastic job of letting us see how they came to be a married couple with a new child by the early age of 21 and the sad, tragic effect this had on a rising star in the shameless rock business. Ian wouldn’t live to see 24.

What’s most stunning here is that Deb Curtis seems to have inherited, inhabited even parts of Ian’s reality and hallow-graphically, rather than hagiographically, represented the many attributes of Ian’s poetic gifts and stunning sensitivity and window into the human condition. In point of fact, she proves herself equally gifted. God bless Ms. Curtis for what she endured in losing Ian and having her family shattered, and her return to her better senses and the legacy of inheritor/benefactor to her fair share of Joy Division’s not inconsiderable fortune. Lord knows she deserves all this and more for all she’s been through.  My hat is off to her. Run, don’t walk to Barnes & Noble or your computer for excerpts.

Oh, how I realized how I wanted time 
Put into perspective, tried so hard to find 
Just for one moment thought I’d found my way 
Destiny unfolded, I watched it slip away

Now that I’ve realized how it’s all gone wrong 
Gotta find some therapy, this treatment takes too long 
Deep in the heart of where sympathy held sway 
Gotta find my destiny before it gets too late

-Twenty-Four Hours, Joy Division Closer

Joy Division documentary film clip here: http://pitchfork.tv/week/joy-division/